Yehezkelli’s work traces elements of the historical and Israeli national identity through motifs like palm trees, the image of the Wandering Jew, and more. The sacredness and seriousness of these motifs collapse and are exposed as empty motifs floating on the surface. These produce a rich and layered iconography, which addresses the schizophrenic possibility of the painting to be innocent, wild, enjoyable and childlike – and, at the same time, “cultural”, aware of itself, incisive and sarcastic. Shai has held solo exhibitions and participated in group exhibitions in Israel and around the world. His works appear in major collections.